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Retro-Futuristic Design Defines Andersson Bell’s First Flagship in Tokyo

  • Fay Wong
  • Aug 3
  • 2 min read

Located in Aoyama, one of Tokyo's premier fashion districts, the Seoul-based label's newest flagship reflects its distinctive design language while reinforcing the brand's growing international presence.


ADSB Andersson Bell Aoyama, 5-49-2 Jingumae, Shibuya Ward, Tokyo 150-0001, Japan
ADSB Andersson Bell Aoyama, 5-49-2 Jingumae, Shibuya Ward, Tokyo 150-0001, Japan

In the Aoyama neighborhood of Tokyo, Andersson Bell has established its first Japanese flagship. The three-story establishment, collaboratively created by architecture firm I IN, fuses brutalist architecture with vivid hues and illumination to convey the brand's "aesthetic of contrast. The flagship resides in a 1993 brutalist structure, transformed with vibrant color schemes, lustrous materials, and energetic lighting to embody Andersson Bell’s philosophy of fusing contrasts – traditional and contemporary, understated and vivid. The design narrative highlights the dichotomy between rough concrete textures and sleek finishes, resulting in an environment that embodies both industrial and sophisticated elements. Occupying a basement and two upper levels, the store serves as both a shopping venue and a cultural center, designed to cultivate relationships with Tokyo’s artistic community.



Andersson Bell


To commemorate the launch, Andersson Bell unveiled exclusive merchandise, featuring a unisex graphic T-shirt priced at ¥19,800 JPY (about $126 USD) and a limited-edition heart-shaped leather keyring equipped with a measuring tape, available for ¥9,900 JPY (around $63 USD). Both products embody the brand's narrative elements, with the T-shirt showcasing poster-style visuals and the keyring engraved with the phrase "COINCIDENCE MORE LIKE DESTINY’S PRE-GAME. These exclusives underscore Andersson Bell's dedication to merging fashion with storytelling, establishing the flagship as a hub for enthusiasts and collectors.



The inauguration aligned with the launch of Andersson Bell’s FW26 campaign, captured in Tokyo and showcasing model SUMIRE through the lens of photographer Kazunori Usui. Creative director Dohun Kim highlighted Tokyo's enduring impact on the brand, establishing the flagship as a novel hub for cultural interaction and partnership.




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